🤖 TV Beef Wit Da Robots Stay Happenin’ Now! 📺

Eh, all da bruddahs an sistahs, TV beef wit robots stay happenin’ right now! Da A.I. screenwriting stay one big kine problem in da Writers Guild strike. No mo’ prime time fo’ dat yet, but streaming algorithms an’ da same kine programming wen’ help pave da way fo’ ’em. 📝🤖

TV get plenny love fo’ good kine smart-machine story, yeah? Like “Battlestar Galactica,” “Westworld,” an’ “Mrs. Davis.” Da Writers Guild of America strike wen’ make da robots come fo’ real, an’ all da humans stay fightin’ fo’ protect o’ join ’em. 📚🤼‍♂️

Da strike get plenny issues, but one big ting stay da union like fo’ “regulate use of material produced using artificial intelligence o’ simila’ technologies.” Nowadays, chatbots stay make all kine writing by demself. 😲📃

Da writers like ask da studios fo’ help so dat A.I. no take ova dea job, use dea work fo’ train A.I., o’ make ’em work fo’ less money fo’ fix A.I.-generated scripts. 💸🛡️

Da strike get plenny big kine tings, yeah? Like how da streaming model stay messin’ up da way TV writers make livin’. But da A.I. question stay catchin’ people’s attention, cuz Hollywood get choke love fo’ robot stories. Robots make us tink wat make us human. Imaginary worlds stay mo’ sexy dan opposable thumbs. 🌎✍️👍

Da idea of A.I. screenwriting stay strong, fo’ good an’ bad. Some guys wen’ tease da strikin’ writers on top social media, sayin’ software goin’ make dea jobs like one old kine horse an’ buggy. Striking WGA membahs wen’ make A.I. jokes on dea picket signs, like “ChatGPT no mo’ childhood trauma.” 🤣🤖🎭

No surprise if da TV biz like use machine-generated entertainment. In one way, dey already stay doin’ dat. No like how da WGA stay scared, no yet. Even da most predictable drama you watch neva wen’ written by one computer program. But maybe one algorithm wen’ recommend ’em to you. 📺💻👀

Algorithms, da kine force behind your streaming-TV “For You” menu, stay findin’ out wat you like an’ match you wit good-enough versions of ’em. Ova 80 percent of viewing on Netflix stay cuz of da recommendation engine. 📈💡

Fo’ make dose matches, da algorithm need choke content. No need fo’ be super awesome, one-of-a-kind stuff, just gotta be familiar, reliable, an’ get plenny tings like ’em. An’ das wat A.I. stay good at. 🎬🤖

Da A.I. in screenwriting debate stay all about, “Can one chatbot write da next ‘Twin Peaks’?” No, not now. An’ no need. Most TV production no like fo’ make da next “Twin Peaks,” one wild, crazy, creative risk. Dey like mo’ reboots, mo’ procedurals, mo’ tings like wat you wen’ watch befo’. 🎥

TV always stay dependin’ on formula, an’ das not bad. Dey make small kine changes on top one theme, provide comfort. Dat’s why shows like “Law & Order” stay good fo’ relax wit in prime time. An’ dat’s why dey might be da first kine shows fo’ use A.I. screenwriting. 📚🔍🚓

Big language models like ChatGPT work by chowin’ down choke text, see da patterns, an’ den respond to prompts by copyin’ wat dey wen’ learn. Da mo’ tired one TV idea, da mo’ text stay ’bout ’em. 📖🔄

An’ ho, get plenny “Law & Order” scripts, superhero plots, an’ dystopian thrillers. How many times you tink writers need fo’ just dump da “Harry Potter” books into da Scriptonator 3000 an’ let ’em shoot out one multiseason series? 🧙📚📺

In da smart words of “Mrs. Davis,” da super human funny thriller ’bout one all-powerful A.I., “Algorithms love clichés.” Get one straight line from da unoriginal stuff in da biz — like reboots, adaptations, an’ plain old same kine stories — to da easy way fo’ make entertainment full of machine-generated mediocrity. 📽️🔮💥

Aftah all, if da studios treat writers like machines, ask fo’ mo’ remakes an’ clones — an’ if viewers stay happy wit dat — easy fo’ tink da guys countin’ money like skip da middle-human an’ jus’ use one program dat neva dream fo’ be da next Phoebe Waller-Bridge. 💸🎬🤷

One good question stay, why not? Why not leave da formulas to machines an’ jus’ use people fo’ da innovative kine work? But get da human cost of unemployment, an’ da whole system where writers come up, often thru workin’-class shows, fo’ learn da ropes. 🚧👥

Da same writers might use A.I. tools good kine way; da WGA stay askin’ fo’ guardrails, not one ban. An’ da A.I. threat to writers’ careers might be too much talk. You know dat if you eva wen’ try fo’ get ChatGPT fo’ tell you one joke. (Dey love da corny kine jokes.) Some tings, like director Joe Russo talkin’ ’bout A.I. makin’ one rom-com wit your avatar an’ Marilyn Monroe, sound like science fiction. 🚀🎞️🤪

But science fiction get one way fo’ turn into science fact. One year ago, ChatGPT no even stay available to da public. Da last time da writers wen’ on strike, in 2007, one problem stay ’bout streaming media, den one small kine biz wit tings like iTunes downloads. Now, streaming wen’ take ova da whole industry. 🌐💥📈

Da A.I. risin’ get work implications fo’ writers, but no only fo’ dem. We get one stake in da battle wit da storybots too. Culture stay dead if only recycle old ideas. We need new tings, experimentin’, an’ yeah, failure, fo’ grow an’ evolve. Da end game of one algorithmic, “mo’ like wat you jus’ watch” entertainment industry stay one pop culture dat just … pau. 🔄🛑

A.I. goin’ be able fo’ make real kine invention. Could be, too, dat wat “invention” mean fo’ advanced A.I. stay different from wat we used to — might be awesome o’ weird o’ no can undahstand. Den, we can talk story ’bout wat “creativity” really mean an’ if only humans get ’em. 🧠🎨🤔

But wat we do know, in dis time, humans get da skills fo’ make stories dat surprise, challenge, frustrate, an’ find ideas dat neva wen’ exist befo’. Whetha we care ’bout dat — whetha we value ’em ova one neva-ending supply of good-enough menu options — stay our choice fo’ now. 🎭🌟🌈

So, bruddahs an’ sistahs, no matta wat happen wit dis strike, remembah dat da human touch stay still important in our stories an’ our lives. No let da robots take ova everyting. Stay true to wat make us human, an’ keep creatin’ new an’ amazin’ tings. 🌺🌈🤙

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NOW IN ENGLISH

🤖 TV Dispute with Robots Happening Now! 📺

Hey, everyone, a TV dispute with robots is happening right now! The A.I. screenwriting is a major issue in the Writers Guild strike. It’s not prime time for it yet, but streaming algorithms and similar programming have helped pave the way. 📝🤖

TV has a love for good, intelligent machine stories, right? Like “Battlestar Galactica,” “Westworld,” and “Mrs. Davis.” The Writers Guild of America strike has made the robots a reality, and all the humans are fighting to protect or join them. 📚🤼‍♂️

The strike has many issues, but one major point is that the union wants to “regulate the use of material produced using artificial intelligence or similar technologies.” Nowadays, chatbots can produce all kinds of writing by themselves. 😲📃

The writers are asking studios for support so that A.I. doesn’t take over their jobs, use their work to train A.I., or make them work for less money to fix A.I.-generated scripts. 💸🛡️

The strike has many significant concerns, like how the streaming model is messing up the way TV writers make a living. But the A.I. question is catching people’s attention because Hollywood loves robot stories. Robots make us think about what makes us human. Imaginary worlds are more fascinating than opposable thumbs. 🌎✍️👍

The idea of A.I. screenwriting is powerful, for better or worse. Some people have teased the striking writers on social media, saying software will make their jobs obsolete like a horse and buggy. Striking WGA members have made A.I. jokes on their picket signs, like “ChatGPT has no childhood trauma.” 🤣🤖🎭

It’s no surprise if the TV industry wants to use machine-generated entertainment. In a way, they’re already doing that. Not how the WGA fears, not yet. Even the most predictable drama you watch wasn’t written by a computer program. But maybe an algorithm recommended it to you. 📺💻👀

Algorithms, the driving force behind your streaming-TV “For You” menu, discover what you like and match you with good-enough versions of them. Over 80 percent of viewing on Netflix is due to the recommendation engine. 📈💡

To make those matches, the algorithm needs a lot of content. It doesn’t have to be super awesome, one-of-a-kind stuff; it just has to be familiar, reliable, and have plenty of things like it. And that’s what A.I. is good at. 🎬🤖

The A.I. in screenwriting debate is all about, “Can a chatbot write the next ‘Twin Peaks’?” No, not now. And it doesn’t have to. Most TV production doesn’t want to make the next “Twin Peaks,” a wild, crazy, creative risk. They prefer more reboots, more procedurals, more things like what you’ve watched before. 🎥

TV has always depended on formulas, and that’s not a bad thing. They make small changes to a theme and provide comfort. That’s why shows like “Law & Order” are great for relaxing with in prime time. And that’s why they might be the first type of shows to use A.I. screenwriting. 📚🔍🚓

Big language models like ChatGPT work by consuming lots of text, spotting patterns, and then responding to prompts by replicating what they’ve learned. The more tired a TV idea is, the more text there is about it. 📖🔄

And wow, there are plenty of “Law & Order” scripts, superhero plots, and dystopian thrillers. How many times do you think writers need to just dump the “Harry Potter” books into the Scriptonator 3000 and let it churn out a multi-season series? 🧙📚📺

In the wise words of “Mrs. Davis,” the clever thriller about an all-powerful A.I., “Algorithms love clichés.” There’s a straight line from the unoriginal stuff in the industry – like reboots, adaptations, and plain old similar stories – to the easy production of machine-generated mediocrity. 📽️🔮💥

After all, if studios treat writers like machines, asking for more remakes and clones – and if viewers are happy with that – it’s easy to think that those counting money might skip the middle-human and just use a program that never dreams of being the next Phoebe Waller-Bridge. 💸🎬🤷

A good question is, why not? Why not leave the formulas to machines and just use people for the innovative work? But there’s the human cost of unemployment, and the whole system where writers come up, often through working-class shows, to learn the ropes. 🚧👥

The same writers might use A.I. tools in a positive way; the WGA is asking for guardrails, not a ban. And the A.I. threat to writers’ careers might be overblown. You know that if you’ve ever tried to get ChatGPT to tell you a joke. (They love corny jokes.) Some things, like director Joe Russo talking about A.I. making a rom-com with your avatar and Marilyn Monroe, sound like science fiction. 🚀🎞️🤪

But science fiction has a way of turning into science fact. A year ago, ChatGPT wasn’t even available to the public. The last time writers went on strike, in 2007, one issue was about streaming media, which was a small business with things like iTunes downloads back then. Now, streaming has taken over the entire industry. 🌐💥📈

The rise of A.I. has implications for writers, but not just for them. We all have a stake in the battle with the storybots. Culture dies if we only recycle old ideas. We need new things, experimentation, and yes, failure, to grow and evolve. The end game of an algorithmic, “more like what you just watched” entertainment industry is a pop culture that just … stops. 🔄🛑

A.I. might eventually be able to create real innovation. It could be that what “innovation” means for advanced A.I. is different from what we’re used to – it might be amazing, weird, or incomprehensible. Then, we can discuss what “creativity” really means and if it’s exclusive to humans. 🧠🎨🤔

But what we do know, for now, is that humans have the skills to create stories that surprise, challenge, frustrate, and find ideas that never existed before. Whether we care about that – whether we value it over a never-ending supply of good-enough menu options – is our choice for now. 🎭🌟🌈

So, everyone, no matter what happens with this strike, remember that the human touch is still important in our stories and our lives. Don’t let the robots take over everything. Stay true to what makes us human, and keep creating new and amazing things. Embrace the power of imagination, emotions, and our unique perspectives. Let’s continue to push the boundaries of storytelling and preserve the essence of what makes us human in the ever-evolving world of entertainment. 🌺🌈🤙